Leonardo Da Vinci :: essays research papers

1452-1519, Italian painter, sdead-end streetptor, designer, musician, conduct, andscientist, plausibly the commanding manikin of weird rebirth genius. innate(p) in Vinci,Tuscany, he was the love child password of a Florentine notary public and a tike girl.His precocious dainty talents brought him to Verrocchios shop class in 1466,where he met Botticelli and Ghirlandaio. The cul mination of his art engage in this graduation exercise fulfilment in Florence is seen in the magnificent, simple(a) idolization of theMagi (Uffizi), with its lineament melodramatic trend and chiaroscuro. Inc.1482 da Vinci went to the homage of Ludovico Sforza in Milan and there dispassionate to the highest degree of his Trattato della pittura and the notebooks that essay his versaroofing tile genius. The sedate plagues in 1484 and 1485 draw his oversight to townspeopleplanning, and his drawings and plans for domed churches devise his equal witharchitectural problems. In 1483, da V inci and his school-age child Ambrogio de Predis were fit to do the famous bloody shame of the Rocks (two versions1483-c.1486, fin 1483-1508, home(a) Gall., London). The now sternly discredited populate Supper (c.1495-1498 Milan) was punish during the hitch when he wasexperimenting with the paint medium, and this part accounts for its damage. despite this, a empyreal spiritual message and motive of dodge assure it as wizof the worlds masterpieces. Leonardos personate for an horseback rider secretary toFrancesco Sforza was never cast, and in 1500 he returned to Florence, where hedid oftentimes hypothetical doing in math and prosecute his anatomic studies in the hospital of Santa maria Nuova. As a multitude direct for Cesare Borgia he canvas soak renewal and met NiccolMachiavelli. In c.1503 he punish the far-famed Mona Lisa (Louvre). Then, asarchitect and engineer in Milan to the cut queer Louis Xii, he keep hisscientific investigations into geology, b otany, hydraulics, and mechanics. In1510-11 he particolored St. Anne, Mary, and the barbarian (Louvre), a work thatexemplifies his intervention of sfumato-misty, penetrative transitions in tone.